Fear = Resistance

Bethlehem Wall, creative graffiti

Steven Pressfield wrote The War of Art for writers like me.  And probably for you too, depending on where you are with your writing.  I’m guessing that from time to time you find yourself with an idea or a phrase or even a color that just keeps floating somewhere at the very edge of your peripheral vision.  Turn your head and it’s gone.  You can’t look at it straight on.  You have to sit down and write it (or paint, photograph, sculpt, weave, cook, play or sketch it).  Sometimes these little snatches don’t yield much or don’t seem to have a lot substance initially.  But creativity is mysterious so a few lines scratched out on a Monday afternoon four years ago could end up becoming a much bigger idea when you least expect it.  You just never know.  It’s worth it to get stuff down.

This is where I start hearing Pressfield whispering in my ear.  He’s agreeing.  Write it down, my dear.  Sit down at your desk.  I’m game.  Only I have to return Zoe’s phone call first and there are two emails I really have get off.  It’s also time for more coffee and look! the cats are out of water.

That little floater of an idea exits my field of vision.  Meandering over to some other more deserving poet or something like that.  But I spend some time that same evening reading.  Right now I’m loving Stephen Dunn’s work.  And there’s something new that occurs to me.  But maybe it’s a dumb idea.  Maybe I’ll think about it for a bit.  Let me get a glass of wine.  Read a little more and see what….Suddenly, Pressfield leaps into my living room.  He’s wielding one of those fat, curved Samurai/pirate looking swords.  He jumps into the middle of the room, sword raised over his head, teeth bared.  Yeah, he’s scary.  You’re going to write, he growls.  And you’re going to do it now.  Stop with the damn excuses.  Stop resisting.

Pressfield is busier than the tooth fairy.  There are a lot writers struggling with their own resistance.  I’ve even known writers who take on other people’s resistance just to absolutely insure that they don’t write. I’m grateful to him for helping me cut through my defenses, which are particularly strong lately.

I read The War of Art a few years ago because my friend Tatiana made me promise that I would.  We had a good talk about how ittle credence we give self-help books, but Pressfield’s book really isn’t that.  I was skeptical, but it was Tatiana so I agreed to read it.  It didn’t change my life.  But it was a good read.  Interesting.

Now I’m at a point in my life where I really need Pressfield’s wisdom.  I need to be reminded of how huge Resistance can be and that it doesn’t have to win.  I need to remember that underneath Resistance is Fear.  At least it’s that way for me.  Fear of failure.  Maybe even fear of success, but I don’t really understand that one.

Yesterday I ended up in a heated discussion with a friend who was trying to be encouraging.  Actually I was overheated, not my friend.  Words, words, words, I said with force.  All words about my writing, how much I’ve grown, how good I am.  But I’ve never worked up to my potential.

My second grade teacher pointed out on my report card so many years ago that I was bright and a good student, but prone to daydreaming and didn’t work up to my potential.  Some might say this the mark of a writer.  I say bullshit.  Or at the very least, that’s not an excuse.  I spend a lot of time beating myself up for all I am not, for all I haven’t accomplished.  At times, it has occurred to me to blame Mrs. Deutz for setting me up when I was 7, but that’s probably neither accurate nor helpful.

As I stormed and blustered around the living room wielding my sword of self-castigation, it occurred to me that berating myself wasn’t writing.  That picking at my faults, creating scroll-length lists of all the things I haven’t done and wishing I were someone else or just different were also Not Writing.  It struck me that there’s a certain theme here.  A certain convenience in a way.  I keep me in my place.  It can be quite a small place and the closest thing to a cushion is Fear.  It’s not comfortable, but it is familiar.

Beating myself up keeps me from writing.  It is as Pressfield would say, a form of Resistance.  I’ll add that it’s bullshit.  I don’t want to do it anymore.  First step–Sitting down thing this morning and writing this post.

photo credit: delayed gratification via photopin cc

My Crush on John Green Continues

 

John Green at LA Times Festival of Books

John Green

John Green has offered to talk with any undecided voters in swing states about this election and choosing a candidate.  He hasn’t officially come out for Obama, but he does support of marriage equality and in a vlog delivered at the spattering speed of a pelting, wind-whipped storm,  he breaks down tax code and seems to support Obama’s plan.  You have to watch the YouTube video at the end of this post.

Back in April, I confessed my crush on John Green.   I wrote about him, the LA Festival of Books and The Fault in Our Stars.  I stood in line for 45 minutes at the festival to get Green to sign Izzy’s tattered copy of his book, Looking for Alaska.  I had come close to getting an interview with him and am still slightly put out that that didn’t happen.  I snapped a photo, but that’s not nearly as good.

You see, Green is not only smart and clever (in the very best sense of the word), he’s not afraid to be smart and clever and he wants to bring everyone along to indulge in a vocabulary full of syllables and ideas and great stories.

In his vlog on tax code, he ends by talking about political discourse.  And now my crush grows because throughout this election season I’ve been grappling with the question of how to break through the polarizing, paralyzing polemics that increasingly marks politics in this country.  Green points out that when we label those with different opinions as “crazy, evil or traitorous,” we’re creating a dangerous situation.  He advocates for talking about policy.  That means getting past the name calling.  It means finding a way to sit around the dinner table and not use steak knives on each other when the discussion gets heated.  Sometimes the discussion will get heated.  It should get heated.  There are a lot of important issues.

I’m trying to take the long view on these things (even though I’m terribly anxious about the election today).  We are part of this time, this moment in history, but it’s a narrative and history that’s still unfolding.  Turning the magnifying glass on the issue du jour like a kid trying to channel the sun and set leaves on fire means we risk not seeing the branch, tree, forest where that leaf came from.

I’m thinking about emailing Green and pretending that I’m from Ohio and unsure about casting my ballot.  But subterfuge probably won’t endear me to him.  It might be better to just admire from afar or contact his publicist and beg her to get me a 15 minute phone interview.

So get out and vote today.  Contact John Green if you need some help making up your mind on who to support.  Learn about tax code and think about how we can expand our vocabulary beyond blue and red, conservative and liberal, fascist and socialist.

A Wallace Stevens Poem

Divine RainbowI haven’t shared a poem in a while.  If you sit very still with this piece, you’ll catch on that it is deceptive in how simple it seems.  Each metaphor, image and description falls lightly at first.  The craft is subtle.  Stevens asks What is Divinity and the answer comes in the form of a question.  Isn’t that always the way with these weighty sort of things?  I could say a lot more, but it’s probably better if you just read this lovely thing.

What is Divinity
by Wallace Stevens

What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch,
These are the measures destined for her soul.

Sigh.  I’m not sure if I should go on about this poem.  It will probably just kill it.  With kindness, but kill it nonetheless.  I hope you enjoyed it as much as I did.  It arrived in my Inbox courtesy of The Writer’s Almanac.  In case you’re a close reader of Stevens’ work, you’ll recognize this as the second section of Sunday Morning.  I missed that first time around, but thanks to my poet friend, Robert Funge, for pointing that out.